Gillian Anderson On ‘X-Files’ Future, Playing Margaret Thatcher & When U.S. Will See First Female President – Golden Globes Backstage

Congratulations to Gillian on her second Golden Globe win!!

Tonight Gillian Anderson took home her second Golden Globe for playing late Prime Minister Margaret Thatcher in The Crown. Anderson’s first win was for The X- Files in 1997. However the likelihood of the actress reprising Thatcher in the near future is higher than returning as Dana Scully; the paranormal investigator she’s built a career on playing.

Asked whether there was more X-Files in her future, Anderson exclaimed, “Oh, gosh, No.”

Asked her thoughts when the U.S. will see its first female president, like UK broke glass ceilings before with Thatcher as the country’s first female prime minister, the actress answered “Hopefully within the next four years that will happen.”

“It’s interesting playing a character like Thatcher because she’s so divisive. People have opinions (of her) that don’t sit in the middle of the road,” said Anderson.

“To have a woman as President, hopefully it will be a clearer response to the impact of our getting our first woman vice president, and discussed for decades more in that regard,” said Anderson hoping that such a future leader isn’t as controversial as Thatcher.

One takeaway she loved about playing Thatcher: “Not only did she cook food for her cabinet members in the flat above No. 10 Downing Street, but the dish we see her cooking is comprised of leftovers. She’s serving family leftovers to her male cabinet members. I enjoyed that one.”

Source: Deadline

Gillian Anderson: A Woman of Character

Nearly 30 years after breaking out on “The X-Files,” the actor is still finding ways to surprise us—and herself.

“Growing up in front of millions of people, and the intensity of nine years of being on a series—what actually happened was not what would necessarily normally follow,” Gillian Anderson says of ending her time on the prime-time must-watch series “The X-Files.” And while she ultimately did use her breakout screen role at age 25 to build a lasting career in the arts, she says her experience at the time with stardom and the loss of privacy made her question what to do next when the series’ first run wrapped in 2002.

“What actually happened was [that] I didn’t know if I ever wanted to step foot on set again,” she continues. “The first thing that I wanted to do was theater.” And so she picked up and left Los Angeles for London and made it happen.

“Had that not been my state of mind, I probably would’ve hired a publicist who would’ve been pushing me out there in Los Angeles as me, separate from [Dana] Scully,” Anderson says in hindsight of her role as the beloved FBI agent. Instead, she was performing on the West End just a few months after arriving, in productions of “What the Night Is For” and “The Sweetest Swing in Baseball” that carried her through 2004. In another world where she had succumbed to that uniquely Hollywood “use it or lose it” pressure, she says, “I would’ve had a version of my career that would have been very, very different than the career that I’ve had. I definitely wouldn’t have been in ‘Bleak House’ or ‘Great Expectations.’ It had a big impact on the choices that I made, because I was burnt out.”

Anderson’s story is proof that burnout doesn’t always mean the end of something. In fact, it sometimes can be the beginning of something burning anew, a gift that helped her strengthen her craft while continuing to challenge herself.

“I think there have certainly been stepping stones along the way where either the things that have come to me or the things that I’ve chosen have gotten harder and harder,” she says with a laugh.

The latest such effort is why the SAG Award, Golden Globe, and Emmy winner is calling in by Zoom from her home in London on a mid-January evening. We’re discussing her acclaimed portrayal of Prime Minister Margaret Thatcher on “The Crown” Season 4, a performance that once again has her in the awards conversation, with SAG and Golden Globe nominations. It’s her latest career move that only became possible because all those years ago, she homed in on exactly what she wanted as a performer.

Despite her consistent work across mediums in the U.K. and U.S. in the years since Scully (among them runs on “Hannibal,” “The Fall,” and “American Gods”), it was playing Blanche DuBois in Tennessee Williams’ “A Streetcar Named Desire,” first on the West End in 2014 and then again Off-Broadway in 2016, that signaled Anderson’s entry into what could be considered a new era for her in terms of character choices.

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InStyle: Gillian Anderson Has Never Been Hotter

Gillian is gracing the cover of the March issue of InStyle magazine- her first cover! The photoshoot is absolutely stunning!

In her début scene in The Crown, Gillian Anderson, playing Margaret Thatcher, arrives at Buckingham Palace for her first meeting with Queen Elizabeth (played by Olivia Colman). The monarch waits, fussing with flowers, while Thatcher, in a blaring royal blue suit, enters the room. “Your Majesty,” she croons, sweeping to the floor in an “Is she serious?” curtsy.

It’s an audible-gasp moment. Anderson has committed. For the rest of the season, the actress immortalizes all 11 years of Thatcher’s “Iron Lady” rule, from her controversial privatization of the British economy, to the Falkland Islands conflict, to the rise of the IRA (Irish Republican Army), to her eventual ouster from office in 1990.

It’s testament to Anderson’s skill that her performance doesn’t dissolve into camp. Rather, it’s considered and often poignant. More enjoyable still are Anderson’s irreverent dispatches from The Crown’s set on Instagram, which include riding in a jeep with Colman (in character) and a snap of “Thatcher” with her legs draped over two thrones.

Having been in the public eye since she was 24, when she signed on to play Dana Scully in The X-Files, Anderson, now 52, has paid her dues. Based in London and effortlessly transitioning between American and British personas, she finds herself in a both deserved and enviable position. And if you’d told her back during The X-Files that she’d play Margaret Thatcher one day? She laughs. “F— off!”

Laura Brown: Hello, Gillian! How are you? You’re in London on lockdown No. 3, correct?

Gillian Anderson: Yeah, I am. It hasn’t actually hit me yet. I’ve been finishing cleaning out closets and stuff. The vacuum cleaner is a big deal in my life. I bought a new one the first week of lockdown, and it became pretty much my best friend, my lover, my everything — until we got a puppy.

LB: Other than the vacuum, what’s been your saving grace during this confinement period?

GA: My kids [daughter Piper, 26, and sons Oscar, 14, and Felix, 12]. My little ones are obsessed with being outside, and I’m very blessed to have access to outdoor space. It’s been a godsend that when they’re not in school, they want to be outside and not on screens.

LB: Did you work over lockdown at all?

GA: I did. Sex Education [the series centered on Anderson’s sex-therapist character, Jean, and her teenage son] pushed its start from July to September. With Netflix protocol, everyone’s tested three times a week.

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Gillian Covers Net-A-Porter

Since her breakthrough role in long-running sci-fi drama The X-Files in the ’90s, GILLIAN ANDERSON has captivated audiences of both screen and stage – most recently stepping into the shoes of Margaret Thatcher in The Crown. HANNA FLINT meets the actor to talk about the invaluable lessons of 2020, self-growth and why this lady is for turning.

It’s a sunny autumn afternoon in London’s Hyde Park and Gillian Anderson is doing a spot of birdwatching. We’re really here to discuss her latest role in The Crown’s season four, of course, in which she plays the formidable first British female prime minister, Margaret Thatcher. But, every so often, the British-American actor becomes mesmerized by the creatures in the Serpentine lake. “Look at what that swan’s doing with its feathers!” she exclaims. “Sorry, but look at what the brown one is doing – it’s making a heart shape.”

Anderson is admittedly no student of ornithology – there’s a struggle to remember the names of some of the birds on view – but she did have a childhood dream of becoming a marine biologist. Now, the idea of even playing one would be a nightmare. “I wouldn’t want to get wet is the truth of the matter,” she says. “It’s definitely got to the point now where there are things I would refuse to do. A friend of mine was potentially going to be in the movie Everest, but I remember thinking at the time, ‘Oh God, imagine what that would entail!’ I’m just not that person.”

So, what kind of person is Anderson? As a much-celebrated actor, she has won several awards for playing Agent Dana Scully in the popular sci-fi series The X-Files, and earned further acclaim in The Fall as detective superintendent Stella Gibson, and then more recently in Sex Education as glamorous sex therapist Jean Milburn.

She’s a proud Londoner, too, having lived in the capital for most of her adult life. And she’s evidently an animal lover, given how many times the conversation has been interjected by a diving cormorant or a swimming Labrador. Privacy is very important to her, and she prefers to keep her family life to herself – although she isn’t afraid to share some funny personal truths. For instance, she turned down an offer to launch her own Sex Education-inspired sex-toy line: “I can’t remember why I said no.” And there was the time, many years ago, when she pitched a video-sharing idea to a woman who helped set up Google and Facebook. It turned out the idea already existed and was about to be launched as YouTube. “That was the last time I shared any bright ideas about tech,” the actor chuckles.

In the cold light of day, Anderson, who is 52 years old and currently makeup-free, looks as radiant as she’s ever been seen on screen during the past 30 years. Anderson cares about her looks (she points out that she had her roots done that morning, ready for some impending filmed press engagements), but is somewhat self-deprecating about how she’s managed to find a loophole in the aging process. “I’ve heard from my mum, my whole life, that my great-grandma Rose had really good skin, but I often fall asleep in my makeup, and whenever I do a photo shoot, everybody always points out that my skin is really dry.”

While the actor is modest about her appearance, she’s confident about the roles she wants to play and, really, who can blame her? “It’s different now than even 10 or 15 years ago,” she says. “[Then] a woman my age, at least in television, would be struggling to find something, but now there seems to be a plethora of rich roles.” With characters like A Streetcar Named Desire’s Blanche DuBois, Margo Channing of All About Eve and now Margaret Thatcher under her belt, she confesses, “It’s hard not to get a little picky.”

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Women of the Year: Gillian Anderson shows her mettle as the Iron Lady in ‘The Crown’

There was a moment, making the fourth series of The Crown, when Gillian Anderson was in full costume as Margaret Thatcher and her partner, the series writer Peter Morgan, came to see her on set. “I smiled at him, as me, Gillian, smiling at her boyfriend, and he said, ‘This is Thatcher! This smile is Thatcher!’” Anderson recalls, laughing. “And I’m like, no! This smile is me!”

Watching the show, you can understand the confusion. In the role, Anderson performs one of those metamorphoses where though she is entirely visible as herself beneath that great cloud of hair, she is also utterly transformed. For a while, the creative team had toyed with the idea of her wearing prosthetic teeth to capture the distinct shape of Thatcher’s mouth, but Anderson found them too cumbersome.

She wore a padded suit beneath her clothes to bulk up her frame a little, but otherwise there were no particular physical changes beyond what she was able to do as an actor: the grand, almost hoarse voice, the tilting walk, the smile that is genial but edged with intent. The important thing, says Anderson now, sitting in a Hyde Park café, “was not doing it so much that it ended up a parody.”

There’s nothing parodic about the finished product, released on Netflix this month. Instead, there is the weird sensation of finding yourself sympathising with one of the most controversial prime ministers the UK has ever had, who always seemed monumental and invulnerable until her final ousting from Downing Street.

As the episodes unfold, you watch Thatcher running up against the snobbish judgement of the Royal Family, the patronising disdain of some of her Cabinet members. “I had to get to a point where it’s nothing to do with my opinions of her policies, of her actions,” says Anderson. “It is only about her as a human being and her motivation as a politician and as a mother.”

At times, she says she found herself questioning the portrayal – why wasn’t there more on the poll tax or Northern Ireland? But she was given no special treatment as the writer’s partner to shape her character. “For our own sanity, and actually for the benefit of the relationship, we had very clear boundaries,” she says. “I am not going to comment on the script, but you are not allowed to comment on the performance!”

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WINSER LONDON MEETS GILLIAN ANDERSON

We chat to acclaimed actor and activist Gillian Anderson on philanthropy, style and her sophomore collection for Winser London.

Here, Gillian Anderson talks about her work with Women for Women International, how she likes to spend her downtime and collaborating with Winser London on her hotly anticipated second collection.

What was the inspiration behind your second collection?

The primary inspiration was that I had so much fun with the first collection that I knew I wanted to do it again. Rather than reinventing the wheel we decided to put out a couple of different colours in the same cuts of two successful styles and even used the cut of the Boyfriend Jumper for the lips range. Then the question was, if we only do one dress – what is a style that can cross seasons and feel dressy and yet equally casual with a pair of boots and a funky coat? If we only do one blouse, what style is both the antithesis of last season’s Silk Blouse and also matches the personality of the dress? And if I’m to do a trouser, given last season was a Tuxedo Cigarette Pant why not try and create what I wear day in and out through the winter, Mini Bootleg Black Low-Rise Stretch Jeans.

What are your favourite pieces from the new collection, and why?

Oh that’s hard! I do love the Lips sweaters, not least because a percentage of proceeds is being donated to one of my favourite charities for women but also because the quality of the image worked and kept its personality even on a cashmere blend, which is a challenging expectation. The hooded coats are definitely a favourite because they are so versatile and fun.

How would you describe your personal style?

Eek, I’d say simple. I think? On a day-to-day basis I don’t put a lot of effort into what I wear and dress for practicality (with heels though) but if I’m dressing up I do like clean, classic lines and am not likely to go for a pattern – as much as I like patterns they just don’t work on me.

Who inspires you in work, life and style?

Probably my friend Gabriela Hearst. She has an incredible personal style which is reflected in how she dresses. She works so hard on her clothing line and fabrics and manages to balance it effectively with kids and husband and friends and meditation. She’s a force to be reckoned with. If she is a racehorse, I am a miniature pony.

What’s the best piece of advice that you’ve ever received?

Do your very best and let go of the results. That means to show up prepared and committed and positive and present and leave the results to the powers that be. As long as you know you have done your best, nothing else matters. Great if whatever it is works out, and if it doesn’t at least you know you did your best and it simply wasn’t meant for you at this time. Difficult to do in practice at first and easy to get into self-criticism and blame and resentment, but once you get used to truly letting go, it can be one of the biggest gifts you can give yourself.

Tell us more about your work with Women for Women International and how they’re spotlighted in your new collection?

Jennifer Nadel who I co-wrote WE: A Manifesto for Women Everywhere with first brought them to my attention and we encouraged readers of the book to make donations to this wonderful organisation. Since then I have tried to help raise awareness and funds.

Women for Women International helps women in post conflict zones get back on their feet. It teaches them about their rights, teaches them a trade so they can become self-sufficient, teaches them about personal hygiene and how to take care of themselves and encourages them to be active in their communities. They really honour the women they work with and stay in contact with them for years afterwards – personally visiting the women on the ground on a regular basis and making sure the programs are running effectively. It’s just a wonderful organization.

One of the fundraising projects I did was to partner with RedBubble to make a T-shirt with an image of my lips that had been presented to me by a fan. Other fans started buying the t-shirts knowing all our RedBubble profits were going to Women for Women. I then decided to take it one step further in this Winser London collection with a cashmere blend sweater where the image was worked into the weave in three great colours.

Finally, what do you like to do to relax?

Watch documentaries. Heaven.

Source: Winser London

Gillian Anderson: ‘I fall in love with my characters’

Gillian Anderson is a woman of many duelling qualities, and it is hard to know quite what to expect when meeting her. Her old interviews are displays of either surprising candour or frosty reserve. She can be earnest and thoughtful, sometimes to the point of seeming grave, yet she peppers her social media with “penis/yoni of the day” posts, pictures of things that happen to look like genitals, even when they are not. She speaks with an American accent when with Americans, and with a crisp British accent with Brits, though she retains a US sheen on only one word that I clocked: “process”. She is extremely famous and has been for more than half her life, yet has maintained a sense of mystery and intrigue, and is keenly private.

Naturally, then, in a photographic studio in a tiny back street in north London, talk has turned to tattoos of Anderson’s face on strangers’ buttocks. It started with one of her own cashmere jumpers, part of her new capsule collection for the London brand Winser (she turned designer for them in 2018, adding another string to an already creaking bow that includes activist and author, as well as actor) that features a familiar-looking mouth emblazoned across the chest, accented by that Monroe-esque beauty spot.

“It is a strange thing, yes,” she agrees, adding that of all the pieces, she probably won’t make a habit of wearing the one with her own face on it. It’s an impish design, but this being Anderson, there’s more to it than a bit of self-reflective fun: some of its profits will go to Women for Women, which helps support female survivors of conflict.

“Well, the way that started was, a fan showed up with a T-shirt that she had made with my mouth on it. Which I recognised, and I went, ‘Wait, is that…?’” That might be an unnerving experience for most people, but Anderson has to admit that for her, it is not so out of the ordinary. “I’m kind of used to it,” she shrugs. “Especially because of my old job. The enthusiasm of the fans, from being in something that’s remotely science fiction, is more intense. And so I’m used to tattoos on calves and buttocks and stuff like that.”

In 1993, The X Files arrived on television, with Anderson at the helm as the sceptical FBI agent Dana Scully. She had just turned 25, and she found herself at the frenzied frontier of a cultural phenomenon. The tattoos soon followed.

“It was really early on, actually. I had gone to Australia to do press, and somebody had David Duchovny and me on their buttocks, and were offering to show us.” She laughs. The thought of what they might look like now tickles her. “I don’t know whether we are both less… chubby-cheeked?”

Anderson has been wrangling with what is public and private for the past three decades. Recently, she has found herself having to think about it again. The X Files came back in 2016, after 14 years away, and now there is Sex Education, the Netflix teen comedy-drama in which she plays a sex therapist. “This has gone to a completely different level,” she smiles. “And it’s been a while since I’ve been in something that is so universally watched as this is. Even when I did The Fall, it was popular, but it wasn’t Netflix popular, you know? So the level of recognition has gone up to what it was when I was younger.” The trouble is that she forgets. “I’m so used to sliding under the radar that there have been some situations recently where it’s just been… a lot. Travelling with kids and stuff. You don’t want to be that person. You want to be like, ah, thanks!”

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Press: Gillian Anderson on wiping off the makeup and getting real in ‘All About Eve’

Early on in the London stage production of “All About Eve,” Gillian Anderson’s Margo Channing removes her stage makeup in a bright dressing room mirror. As she swipes away the layers, Anderson’s face is projected in close-up on massive video screens, which magnify the actual lines and dark circles under her eyes.

It’s a moment of realization for the audience: This is no straightforward production. This is a story about seeing the truth in ourselves.

“A couple people have said, ‘You’re so brave,’ ” said Anderson, sitting in her basement dressing room at the Noel Coward Theatre. “So much of what we see of people these days is Photoshopped and filtered, so the fact that I’m allowing the audience to see all the nooks and crannies of my face is unusual. And I hadn’t thought about that until someone said it. I didn’t feel brave in doing it, at all.”

Anderson arrived at the role of Margo, the aging theater diva faced with a diminishing career and a potential rival in her young assistant, Eve Harrington (Lily James), by happenstance. Anderson’s boyfriend, writer Peter Morgan (“The Crown,” “Frost/Nixon”), had suggested she look into whether the 1950 Bette Davis-Anne Baxter film had ever been translated to the stage when she discovered theater director Ivo van Hove was already adaptating Joseph L. Mankiewicz’s screenplay.

“I was trying to find out what his plans were for how he was going to cast it,” Anderson recalled. “Then I found out that Cate Blanchett was doing it, and so I slowly backed into the shadows and thought, ‘Man, do I want to see that.’ ”

Blanchett, it would turn out, had a scheduling conflict. Anderson signed on, and her thoughtful performance has earned her a lead actress nomination for the Olivier Awards on Sunday.

The recognition comes despite the fact that the cast, which includes Monica Dolan and Julian Ovenden, had just four weeks to rehearse. Actors were instructed to arrive off-book on Day 1. There was almost no discussion of the text, so Anderson slowly worked out Margo’s mindset and motivations along the way, well into previews in early February. Part of the challenge was working with a camera crew that filmed the stage action live to be projected on the aforementioned video screens. (Van Hove did something similar in last year’s adaptation of “Network.”)

“I wasn’t nervous about the cameras, but what was very clear when we started out was that none of us quite knew what it was that we had,” Anderson said. “I know that’s always slightly the case because one’s never in the audience looking back, but for some reason with this I think we didn’t quite know how it fit together, or whether it all fit together, or what it was that we had until we’d been doing it properly for a while. And then something seeped in and we understood it.”

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Gillian Anderson: ‘I was working crazy hours. There were periods when I was crying, unable to stop’

I’ve added several images to the gallery from a gorgeous new photoshoot for The Telegraph magazine; the accompanying interview is posted below. Enjoy!

Gillian Anderson is hard to pin down. Is she American or English? (Her accent slips between the two, depending on who she is talking to.) Guarded or warm? (She can be either, based on her mood.) Tough or vulnerable? (Or both?)

‘‘Because my parents were American and we lived here in the UK, there was always a sense of not quite fitting in. Because of that I’ve always felt a bit of an outsider. I have perpetuated that because that is what feels familiar to me, it is what feels comfortable,’ she explains.

When we meet Anderson is English and warm, talking about the birthday parties she has to organise (she has three children, Piper, 24, Oscar, 12, and Felix, 10); and although she is very petite, wearing white patent stiletto boots and slender black trousers, she exudes the commanding charisma that makes her perfect for her imminent roles.

Rumour has it that she will be playing Margaret Thatcher in an upcoming series of The Crown, the Netflix series created and co-written by her partner, Peter Morgan. No one is confirming this, but no one is denying it either.

Meanwhile, this month she stars in a new Netflix series, Sex Education, in which she plays a sex therapist who lives with her teenage son (Asa Butterfield). And in February Anderson has another plum role: Margo Channing in Belgian theatre director Ivo van Hove’s much-anticipated adaptation of All About Eve, also starring Lily James as Eve, with music by PJ Harvey.

The play – a modern reinterpretation of the 1950 film, which starred Bette Davis as Channing, a blazing Broadway star who is gradually supplanted by a younger rival – is about ambition and betrayal, femininity and anger, stardom and personal sacrifice.

Anderson’s is a bravura role, one that requires not just the cool intensity that we have come to expect from her, but also humour. Channing is deliciously droll, delivering endlessly quotable lines with comic precision (‘I’ll admit I may have seen better days, but I’m still not to be had for the price of a cocktail, like a salted peanut’).

‘A couple of years ago my boyfriend Pete said to me, “You know what would be a great role for you? Margo Channing,”’ Anderson says. ‘So I rewatched the film and I thought, “Oh my God, how much fun would that be!”’

Anderson, not one to wait for opportunity, discovered that theatre producer Sonia Friedman had the rights to the script and was working on it with van Hove – Cate Blanchett was set to be Channing. ‘So I thought, “Ah OK, I’ll just slink into the background.” Then my agents got a call to say that she [Blanchett] had backed out due to scheduling conflicts, and there was interest, and was I interested? So I was like, “Yes! When’s the meeting? Now?”’

Van Hove, on the phone from New York, is equally excited to be working with Anderson. ‘Margo needs someone who understands what the theatre is all about, someone who can carry a play, who can occupy the whole stage, and Gillian can do that; she is a fabulous theatre actress. Although, of course, she became iconic for me in the 1990s when she was in The X-Files.’

There is something a little surprising about Ivo van Hove, an avant-garde director celebrated for his reinterpretations of plays and operas such as Hedda Gabler, Antigone and Lulu, professing fandom for a mid-’90s sci-fi series; but that is to forget the huge cultural impact of The X-Files, its quality and its ingenuity.

The series was about two FBI agents, played by Anderson and David Duchovny, who attempt to unravel various natural and supernatural mysteries. No one expected it to become such a success, least of all Anderson, who was 24 when she was cast in the show. It was her first major role and it made her a star.

She won multiple awards for her portrayal of the sceptical Dr Dana Scully, including an Emmy and a Golden Globe. But such stardom often involves sacrifice and Anderson was suffering.

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The X Files, The Fall and her new fashion range

With her unbuttoned silk shirts and stilettos, Gillian Anderson won devoted fans for her style in the acclaimed TV drama The Fall. Now her new collaboration lets everyone get the DSI Stella Gibson look

The first thing that strikes you about Gillian Anderson is her flawless English accent. The second is her size. It’s not just that she’s tiny; it’s as if she was built to a completely different scale model to the rest of us. The American actress best known for playing Agent Scully in The X Files, Anderson is friendly but intense, with a hint of prickliness, and she chooses each word with torturous care. Sentences peter out in a thicket of pauses and ums, before she fixes you with a piercing stare.

“It’s near impossible for me to stick with the British accent in America,” she says, curled up on a sofa in a loose silk shirtdress. “I can go a little way with the American accent here, but not if I’m surrounded by Brits. I end up sounding like a mid-Atlantic Euro-trash twat.”

Anderson is one of those famous people who, if you saw her on the street, you’d think you know from the school run. In fact, she’s been on our TV screens for most of her adult life. It’s 25 years since her breakthrough in The X Files and now, aged 50, she’s starred in almost every notable British drama of the past 13 years, from Bleak House to War & Peace and The Fall. She’s played Blanche Dubois in the West End, an experience she describes as “paralysingly terrifying”, and Edwina Mountbatten in a film about the last viceroy of India. She’s the sort of woman who, talking about her clothes, can say, “I don’t do well with ruffles,” and make it sound profound, and I mean that as a compliment. Today, she’s here to talk about how a life of combining red carpets with the school run has contributed to the capsule collection she’s designed for Winser London.

“I’m not fashion-centric and I don’t follow trends. I wanted a sweater that could feel dressed up or dressed down, that would work with a pair of jeans or a pair of dress pants. I wanted a reversible silk shirt that is shiny silk on one side and matt on the other, so it feels more casual. And I wanted a swing coat that doesn’t feel too bulky, that’s cut neatly on the shoulders. Most of the time I’m dressed down, in black jeans and boots. This feels like you have the best of both worlds.”

Continue reading “The X Files, The Fall and her new fashion range”